Wednesday, November 25, 2009

Noh theater and evacuation training

Just because I said I wouldn't be joining many other events as an exchange student there were two more... on the same day. Never say never, I guess...

On November 14th, an "international friendship group" called Kamogawa-kai organized a "mini-Noh workshop". Although there was no actual performance scheduled, there would be a short lecture and some "experiencing".

I've never seen noh myself, and at times I thought that I could understand the explanations better if I had. Nevertheless, the explanations were easy to understand; especially considering its a performing art about 800 years old that even most Japanese can't understand completely.

On the "experiencing part" we could try walking like Noh performers on stage and someone was chosed to wear one of the clothes (the whole set is heavy!) and testify that peripheral vision goes away when one wears a Noh mask. For those reasons, some characteristics of Noh aim at avoiding that performers fall from the stage.

Still, I was more surprised at the stage itself. From the outside it looks like an ordinary Japanese house, but there is a relatively large Noh stage inside. As the lecturer said herself, people usually don't expect to see that stage when they first enter the building.

As one event wasn't enough, on the very same day there was another.

This time it was an event organized by the Kyoto City International Foundation. And with a relatively more serious aim, too. It was a Overnight Evacuation Shelter Training Program focused on explaining procedures in case of natural disaster.

Among the items on the program there was experiencing famous earthquakes in Japan on a truck that simulates those tremors, use of a defibrilator and eating emergency food. It was also a training exercise for volunteers who offer support to foreign residents.

It is nice that they go all that way to explain to foreigners those evacuation procedures. Most people don't know or don't care, and many (like me) come from regions where there are no earthquakes. That sort of drill makes people remember better than just a lecture on safety, but it is also expensive for those who organize it (it was free of charge for foreign residents).

It seems that those drills explaining procedures to foreigners started after the Great Hanshin Earthquake. That quake hit Kobe - a city with many foreign residents - and many foreigners didn't know what to do in those situations.

What I didn't like much to hear was that I'm basically living on a fault line. There are basically three in Kyoto, and if the worst happens (a 7-magnitude earthquake on one of those lines) I'd have an earthquake at home with intensities 7, 5-strong and 6-strong respectively.

Wednesday, November 18, 2009

Taiken Festival

Once you stay too long in Japan, you tend to participate less in events for foreign students. There are a variety of reasons that change according to each person, but in my case I am now busier than before and a little tired of the routine those events usually take.

Still, even after two years in Japan, there was one that got my attention. It was a "experience festival" (literal translation) from the local Rotary Club: 「留学生のための体験フェスティバル」 on October 24th.

The main reason was because the girls could dress the jyuunihitoe (十二単), a traditional clothing that was worn by the court-ladies during the Heian Period. As the name suggests, it is composed of twelve layers of silk kimono, being extremely elegant and complex to wear (not to mention heavy. In some cases up to 20kg!). Nowadays it is mostly used by the Imperial family in special occasions and in few weddings. It is expensive, and, in part for that reason, almost unseen outside of museums.


The boys would wear an equivalent traditional clothing for court nobles from the Heian Period. I forgot the right name, and searching on the net I found names like sokutai and kariginu, but although they look like, they're not the same.


There was a buddhist monk outfit as well...

And, of course, there were other events. One of them was the game based on Hyakunin Isshu (百人一首), the Uta garuta (歌ガルタ). It is one of the traditional card games in Japan, still played often during the New Year. Each card has a part of poetry, and the objective is to pick the sequence of the waka that is being read. For people who want to know further, I reccomend looking for sites like this one. I am not very familiar with the rules myself to try to explain them here.


At the end, while being treated to dinner (a very good one), we watched on TV the local news reporting the event. They are fast...

And one thing that came to me, this could be one of my last events as a international student in Japan. Ironic that it was with the Rotary Club... because my first dance presentation (when I used to practice ballroom dance back in Brazil) was also at the local Rotary Club.

Wednesday, November 11, 2009

Yellow Cake

Lately I've been busy like never before. I have to prepare my thesis, an article for a congress, some other obligations in between...

Still, I can't abandon the blog. So, for the time being, watch this animation by Nick Cross. There are many interesting interpretations for this video.

Warning: the beginning may look like some fluffy-happy-fairytale. I warn you it is not.

http://vimeo.com/6898451